Showing posts with label the Bard. Show all posts
Showing posts with label the Bard. Show all posts
Monday, August 26, 2019
by any other name
Heroin.
Is the word part of the scourge? Is it a swish of the sword?
According to the Online Etymology Dictionary, Heroin as a word was coined in 1898 in German as a "trademark registered by Friedrich Bayer & Co. for their morphine substitute. According to tradition the word was coined with chemical suffix -ine (2) (German -in) + Greek hērōs 'hero' (see hero (n.1)) because of the euphoric feeling the drug provides, but no evidence for this seems to have been found so far."
So what if the name were changed? No, no, no, we're not talking about the myriad demimonde, street, underworld, pop culture, and user-driven slang terms. Not that. Change the name. A new coinage. A coin of the realm of hypnotic transport and molten reverie.
Do words matter? In ancient times, identity was conferred by the very act of naming. There was a power to it. The Hebrew Bible is rife with examples of this.
What would the new word be?
Could such a word have such powers as to be salutary, salubrious, and beneficent?
And even if that were true, would such a move erase allure? Because after all, danger, menace, and perilous risk are part of the game, part of the ritual, yes?
What would that word be? The opposite of "hero"? Hardly.
As the Bard put it in Romeo and Juliet, “What’s in a name? That which we call a rose / By any other name would smell as sweet.” As if to say, "Call heroin by any other name, and you get the same results."
Is it so? How would we conduct a peer-reviewed study to find out?
In "Sacred Emily" in 1913 (year of my father's birth), Gertrude Stein wrote: "Rose is a rose is a rose is a rose." (Did you know that in one version of this immortal declaration Stein put it in a children's story, carved on a tree trunk, round and round?) So, does Gertrude Stein side with Shakespeare on this semantic matter, or is she saying, "It's futile; it's beyond description; it is what it is"? (Or something else entirely.)
Heroin is heroin is heroin is heroin.
What do you think? What do you feel? Tell me more. Especially addicts. Weigh in on this.
Do words matter?
How much?
Monday, April 23, 2007
Will the Thrill

San Francisco Giants fans dubbed Will Clark with the moniker "Will the Thrill." But as thunder rolls and a spring rain cascades, I salute a with a different will, Will (The Thrill) Shakespeare, on his birthday, or at least what passes for it (we can only deduce his birthday is April 23, because he was baptized April 26, customarily three days after birth; curiously, he also died on April 23).
The unfortunate thing about The Bard is that I can tell you as a former English teacher we mostly ruin him. "We murder to dissect," to quote Wordsworth. In other words, we often kill all the fun by dissecting his works for "meaning" and "interpretation." And we forget his plays were for seeing, not reading. And it wasn't high-brow stuff; more like professional wrestling than, say, educational TV. (This comes out nicely in the movie "Shakespeare in Love.")
In junior high (they call it middle school now), we had to memorize soliloquies of Shakespeare, from "Hamlet" or "Julius Caesar" or "Romeo and Juliet," among others. It was arduous but rewarding, even if we hardly had a clue as to what we were memorizing. (Do kids memorize anything anymore? he asks like an old curmudgeon.)
Of course, as with the Bible, out of context much of Shakespeare seems startlingly rude and violent and impolitic (like life). A guy named Thomas Bowdler tried to clean up Shakespeare and the word Bowdlerize (Bowdlerise, for Brits) survives. Did he venture the same effort on the Bible? (Apparently not, but he did so for The History of the Decline and Fall of the Roman Empire by Edward Gibbon.) (Bowdler changed "Out, damned spot!" to "Out, crimson spot!" Imagine him going to town on some contemporary hip-hop lyrics; examples invited, Mr. Russell Simmons; see, The Laughorist is as up-to-date as a headline only hours old!.)
Shakespeare came alive for me as an English major in college. We did skits of various portions of "Twelfth Night." We played with it, we goofed around, we had a ball.
Just as Will did with the language.
"Unkennelled" [referred to in a post last week] was just one of thousands upon thousands of lustrous language gems Shakespeare played with. Ah, but I just made the common fatal error, elevating him to a dusty place on the bookshelf and forgetting all about "play."
So, all you readers, go commit some foreplay and chalk it up to Will the Thrill.
"Ripeness is all" --
now there's a juicy start, from "King Lear," thanks to Mr. S.
p.s. Shakespeare is of course often quoted out of context. My favorite out-of-context quote is
"To thine own self be true"
which is said in "Hamlet" by Polonius. But people forget he's a supercilious blowhard referencing what was surely a cliche even in Shakespeare's time.
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