anonymous

Literally without a name. Or without a literal name. How about a metaphorical name. Nameless. Not "name known but unspoken." No, not that. No name at all. Was there ever a name. Was a prior name shorn and shucked, offering a new self. Or was the anonymity there from birth. Did the anonymity serve as a blank canvas to paint on, to create an identity, a self. Dead to me. They say this or that one is "dead to me." A phrase nurturing either resentment or detachment. Take your pick. But who are "you"? Who is "me"? The power of anonymity. What exactly is that power. The unheralded secret, random kindness. The so-called selfless act that is never truly selfless despite what they say. Who are "they"? Anonymity as a shield, a shelter. Anonymity as a brandishing (surely not a brand name). "Anonymous" being the author. "Anonymous" being the donor. Handy for purposes of humility. Purposeful for adoptions. Anonymous the voyeur. Anonymous the spy. Anonymous the unknowable divinity, the unspeakable divine, as the ancient chosen tribe resorted to an acronym rather than utter the Sacred Name of No Name. That power of anonymity. Protector. Refuge. Savior. No name. Before name. Beyond name. Beyond noun or pronoun. Beyond adjective.

Just verb.

wet paint

hey you; you, not them; you; look here; don't touch me; do not touch me; touch forbidden; warning; please touch touch me; please please pretty please touch me; now; dare you; danger; stand back; come here; no harm no foul; who are They to tell you what to touch or what not to touch; it won't hurt anything; what's the harm; go ahead; WET PAINT; after all, it doesn't say touch or don't touch; it doesn't say anything like that; WET PAINT merely states a fact; but is it a fact; is it really wet and is it really paint; no command, no imperative mode; an adjective modifying a noun; reality-based; T.S. Eliot said a poem is not complete until it is read, with that in mind the declaration WET PAINT is incomplete, unfinished until the proposition is tested, is borne out, by human experience; and what about nonhumans, a bird, say, who flies headlong into the sign or into the supposedly nondry paint, such a tragedy; if Heidegger can ask 'why beings rather than nothing,' can we not query the veracity of this sign; luring, seducing, tempting, daring, cajoling, nudging, almost screaming to touch, touch furtively rapid-fire when no one is looking, no one around, running the risk of imprinting your inimitable fingerprint, your human stain, for all it's worth, now and seemingly forever
 

Diagramming the Flowering Crab

The crabapple's blossoms masquerading as paper carnations.

Blossoms of crabapple masquerading as paper carnations.

Crabapple blossoms masquerading as paper carnations.

They masquerade as paper carnations.

Masquerade as paper carnations, crabapple blossoms.

Papercarnationally crabapple blossoms masquerading.

. . . and crabapple blossoms masqueraded as incarnations of paper, pink.

Like paperpinkishcarnations, the crabapple blossoms parade or was it masquerade.

Hark! Crabapple blossoms! Alas! Martian-pink-carnal-carnationesque -incantatory buds unhidden!

Blossoming crababble, masquerade is papercarnationing.