cardboard ghosts of future past

Back in the old days, before cardboard cutouts depicted demographically apportioned faces, before stone-still, silent, opaque audience members dressed for the occasion (sports, symphonies, operas, bullfights), actual people were in the seats, stands, arenas, galleries. Can you believe it? In those days, people gathered en masse, in the flesh, prey to each other's coughs and sneezes, victims of unwittingly and unwillingly shared particulate matter. Vulnerable to any stranger's invisible or visible imprint. In the olfactory wake of a curnucopia of scents: body odor, body scent, soap, sweat, perfume, eau de toilette, cologne, and a gazillion unnamed human animal exhalations and excretions. Are you taking all this down? Believe it or not, in those days people thronged and congregated: in bars, churches, pubs, classrooms, assemblies, rallies, union halls, corridors of government, conclaves of commerce. Now, as you know, in every instance, such breathing, pulsing crowds (and individuals) have now been displaced by cardboard simulacra, two-dimensional facsimiles of mute stillness. You don't remember this? Of course not. It was before your time. It was before grim and horrid circumstances forced a consensus of care and protection: social distancing, masks, sanitary measures, disinfection. When these efforts failed, people endured lockdowns, shutdowns, closeouts, wall-offs, barrier-bastions, sealant seizing, communal-closeting, superquarantining. New words were invented to describe new fortifications. But it was too late. The damage had been done. The viral wildfires had, well, gone viral. Those who had mocked the seriousness of it all, those who attributed it to a political hoax or a foreign scheme were in the front lines of failure. They were among the legions to succumb first. But not all of them, not all the disbelievers fell to cruel fate and cold reality. Some escaped. Some went into exile, their whereabouts still unknown. However, the masses had no such escape hatch. Instead, they made the best of a novel way of living, three-dimensional forms floating in and around their cardboard fellow citizens. They learned to befriend the cutouts. They even importuned upon the cutouts to imitate them, to serve as substitutes, ersatz personalities, avatars. In this way, large numbers of the Three Dimensionals found gainful employment -- such as it was -- as designers, painters, artists, portraitists, fabricators, shippers. And so the old days became the new days, and everyone forgot about the old days. That is why I wrote this letter to you, my grandchildren.