where there's smoke, there's clementine

I tossed the peelings into the sink and turned the disposal on. I am not enamored of such devices. Is it because the one we had in The Projects broke? Didn't it break so often we gave up on having them repair it? Did its guttural grind scare me? As the disposal was gargling the skin of the clementine, I thought I saw a cloud of smoke puff up from the bottom of the sink hole to the right of the disposal. Smoke? Uh-oh. The next day, I kept an eye out for smoke. As I was uncurling my clementine at breakfast, I spotted -- and smelled -- a sudden burst of citrus spray escaping from the tender fruit.

Mystery solved. Mystery epiphanied.

Where there's smoke, there's not fire. Not necessarily.

And the day after that, steam uncurling heavenward from my hot tea with half and half no sugar. Swirling skyward. As if a genie were about to appear and offer to grant me wishes.

Wishes already granted.

Because in seventy years I had never seen my breakfast tea in quite that light.

curvilinear urban legend beauty

You venture out to retrieve the black plastic empty trash can and the blue bin for recyclables, peering at your car and, as you typically do, surveying for slashed tires or a window broken and beaded from last night's anonymous mayhem. On the road surface (a road paved merely months ago), you spy an imprint of white paint that nearly outlines your car, a 2007 VW Rabbit, 111,000 miles, the way the police delineate chalk lines where a dead body formerly sprawled, in its last restless resting place. You look left and see where the paint seemingly originated, several houses south, on Avery Avenue, where a resident likely deposited it, improperly, in last night's trash. This "waste management" accident paints a brushstroke of curvilinear whimsy and beauty. (Curvilinear strikes this observer as an especially feminine word, owing to female curvature merged with sweeping linearity as opposed to male angularity and polarity.) The alabaster alphabet consisting of one long L with hints of an S at the end is punctuated with accidental or purposeful blockprints from someone's steps, or else owing to the fruits of a performance or avant-garde visual artist who has staged this elaborate design, which trails off into the intersection with Chemung Street, toward the final feet of the old West End of Syracuse. And later in the day, and in the remains of subsequent days, you see vestiges of more curvilinearity: the palimpsest of the dawn street sweepers, meandering against curbs and around parked cars, reciting a visual poetry of fading hieroglyphics.