Showing posts with label Harold Pinter. Show all posts
Showing posts with label Harold Pinter. Show all posts

Thursday, February 11, 2021

says who

You hurt my feelings.

What?

You hurt me.

You, or your feelings?

You're doing it again.

Doing what?

Hurting me. Sowing harm.

"Sow" what.

It's not some big joke.

I didn't say it was.

You're acting that way, talking that way.

But you hurt me.

When? How?

That time. You remember.

No, I don't.

We're not going to start arguing about arguing.

Why not? 

It's like we got into our NASA spacesuits, buckled up, listened to the countdown as we waited on the launchpad, 4-3-2-1-0 ignition liftoff, traveled a few light years, and landed on Planet Harm.

Or Planet Hurt.

Anyway, we can agree on that, pretty much.

True.

. . . and then opened the hatch, climbed down the little ladder, more wobbly than expected, and planted our feet on the hardscrabble, arid harmscape, littered by empty promises, goodwill wrappers, and used condomeants.

Condomeants?

Prophylactic measures meant to prevent punctured egos, infertile ejaculations, and scrambled eggs.

Ewww.

You stepped on the surface first.

No, you did.

Not going to argue that. It's all on the tape.

"That's one small step for a gland, and one existential leap for love."

That wasn't it.

Close enough.

That was the problem: not close enough.

We were in those spacesuits. I couldn't reach you, touch you.

I couldn't find you.

You had G.P.S.

G.P.S.?

Guaranteed Personal Symmetry.

But it didn't work on Planet Harm. Doesn't work . . .

Why would it? How could it?

By design.

The atmosphere, the gravity, the loneliness.

And then they played the meanest trick in the history of the universe. Houston pulled up the ladder, turned the ignition on, and flew away. Without us.

Left us to our own devices.

And we don't mean handheld devices.

Left us to our own vices.

And virtues, what's left of them.

Right.

They must've figured we were the best lab rats misery could buy.

What now?

What then?

What when?

What next?

Hey, Planet Harm doesn't even have Wi-Fi!

What does Wi-Fi stand for, again?

 

Thursday, January 22, 2015

an infinity of the unnameable

"In other words, apart from the known and the unknown, what else is there?" 

-- Harold Pinter

Ah, who else but Harold Pinter, the renowned master of the white spaces of silence in conversation (or lack thereof)?  

To answer the question, an Infinity of the Unnameable.



Thursday, October 09, 2014

the silence of the iambs

I just finished a novel by Haruki Murakami imbued with silence. It was as if silence were a character in the novel (in the text; academics like to say text). "Silence descended over them," or words to that effect, appeared on the page many times. As a reader, I felt those silences. They were like white spaces on the layout of a page, or white scenery on a stage, or deep pauses in a conversation, as in a Harold Pinter play. Sometimes the silences were comfortable, reflective; other times, they were painful, anxious. Isn't that a strange thing about humans: that a silence can be rewarding or agonizing? Have silence scientists figured out a way to measure it, gauge its import, its flavor? I suspect they have. And I would not at all be shocked to learn that our bodies give off a smell to provide a clue (or a cue, for that matter) as to what sort of silence is descending, a salubrious silence or a malevolent one. Ours is not a time of silence. Our culture does not care to abide silences. There is little silence of the lambs or of iambs. (Couldn't resist that bit of English-major snobbery.) Silence of the child at the mother's breast, the purring of a cat, the cough in the cathedral pew, the silence of the beads being told. All silences punctuated my minor sounds. Or silence of the phone not ringing, the voice that is no more, the word unkenneled, the interval between lightning and thunder. And so much more. So much less.

Monday, June 01, 2009

Harold Pinteresque Day

It has been said the plays of the late Harold Pinter are noteworthy not only for what the characters say but also for what they leave unsaid. The unspoken says more than the spoken. Eloquent silences, you might say, to use an oxymoron in a positive light.

Yesterday was a bit of a Harold Pinteresque day for me.

The tirade held in check.

A remonstrance reined in.

An inquisition not implemented.

A showdown averted, deferred.

Listing these, I read them and they present themselves as a rather noble and virtuous inventory, though they may just as easily mask cowardice, depression, or lethargy.

And I can't even tell you which is true.

Plus, I'll never know what the other players felt, skating along the merry edges of Lake Superficial, will I?

Thursday, December 25, 2008

Obituary of Silences

Harold Pinter is dead at 78. I claim no special knowledge of his works. I saw a film version of "The Homecoming" in the 1970s. I thought the lovely Lee Remick was in it but now don't find any evidence of that at various movie sites. My wife and I saw a fine Syracuse Stage production of Harold Pinter's "Betrayal" a few years ago.

Critics talk of the power of the tortured silences in Pinter dialogue.

Yes.

Oh yes.

True.

We had a bite to eat afterward.

Some tea.

What?

Yes, some tea.

Words, and Then Some

Too many fled Spillways mouths Oceans swill May flies Swamped Too many words Enough   Said it all Spoke too much Tongue tied Talons claws sy...