Showing posts with label surreal. Show all posts
Showing posts with label surreal. Show all posts

Sunday, August 30, 2020

The Yellow Tiger Inn

It was tourist season. We blended in. Sure, the crowds were pandemic-thin, but visitors stood out: Hawaiian shirts, ballcaps, sundresses, shorts, Birkenstocks, poodles, Audis, Teslas, gray, more gray, and tides of pale-skinned ex-urbanites. Folks on the large wrap-around verenda: knives gently sawing salmon or steak, forks overturned Euro-style, chilled Chablis, tea, coffee, tiramisu, chatter, clatter, laughter. We were just some anonymous passers-by.

I had never seen so many rooms before. Correct that. I had, in skyscrapered Vegas-style mega-hotels. Pictures of them. Here it was a surprise. Four stories high and a full block deep. Hundreds of rooms, though we didn't count them.

We ambled through long musty hallways with ancient carpets, paintings from the 19th and 20th century, sconces, majestic weighty drapes, ocean-liner beds, bookshelves with classics and never-made-its.

-- C'mon, let's go in here.

-- What?

-- C'mon. Don't be scared. Let's ...

-- You kiddin'?! Really? No.

I took him by the elbow and ushered him into The Clemenceau. Cavernous. To be honest, I did not usher him; I gently persuaded him with a hand grazing his thigh, wandering into his Life Valley. I led him like a lamb, his doe eyes wide and his teenage heart racing.

We did it. More than once. I lost count. That was predictable and easy. And gales of fun. I didn't know until a year and a half later that that was his inaugural romp, his Clemenceau Originale. Father of Victory. The Tiger. My own feline conquest.

As evening fell, we strolled the other floors. On the second floor, we found a darkened room, closed the creaking door, creaked the bedsprings with our raucous youth, and fell asleep like it was nobody's business.

What could be more natural? Easy come, easy go.

Except we didn't go.

We played Stowaway.

Again and again.

First it was daring, then a habit, then a routine.

No one ever questioned us.

Housekeeping, porters, chefs, maitre d's, janitors, maintenance, painters, plumbers. front desk, back desk, security. no one.

Why would they? We were part of the family. "Always had been," they'd whisper to each other.

The first year, I took a few steps off the veranda and tripped, fell flat on my face. Road rash, bruises, and sore forearms. Thought nothing of it.

A few months later, he wanted to go out for an evening stroll, shake off cabin fever. When he put his hand on the brass door handle he was jolted by a shock so fierce he fell backward.

We experimented.

Exit by window, the old prisoner tied-sheets bit. We kept bouncing back up, as if the sheets were bungee cords. It was funny, until it wasn't.

Climb to the roof. Try the ancient rusty fire escape. Another bout of electroshock "therapy."

Burrow into the basement. Find a subterranean route to the sewer. Nope.

Nothing worked. It wasn't hard to figure out. Why frustrate ourselves? No sense succumbing to futile, impotent gestures.

I write letters.

Nearly every day.

I post them in the house mailboxes: by the lobby, the gift shop, by the elevator on each floor (the old-fashioned mail chutes).

I write to friends (though the addresses in my address book are likely obsolete; and the friends may not be alive), my parents, sisters, bothers, aunts, uncles, cousins, old classmates, even a few enemies.

I am waiting for an answer.

Just one. 

Sunday, February 17, 2019

The Clementine Chronicles, continued


Murder on the Disorient Express

Dramatis Personae:

OldWhiteGuy stereotypical converted-loft dweller, goatee-adorned; spectacles-wearer; enough head hair to comb except on the sides owing to stylist's shorning the week preceding; 5'10"; 169 pounds; blue jeans; blue T-shirt; blue-green-purple flannel shirt not tucked in; fragrance: Luna Rossa by Prada; Euphoria by Calvin Klein deodorant; unshaven for several days

Three Ravens pecking at unseen morsels on the roadway or bickering on the chain-link fence or telephone wires

DismemberedClementine* Jackson Pollocked (except for color; goldenrod-clementine-flesh yellow-orange backgrounded by burnt umber wetted, ergo Mark Rothko'ed except for the scatteredness; picture a spherical descent bursting onto the concrete, tossed from an upper-story window; motive and perp, unknown) into 22 segments and/or fragments of said segments, on the sidewalk [see below] by the side exit of the brick former knitting mill; a splayed and still glistening ink-blottish stain artistically placed on the snow-bereft sidewalk as a place setting or as a result of the Capital Citrus Murder (CCM)
*cf. The Laughorist blog post of 2 December 2018

DismemberedClementine Peeled Skin (absent, nowhere to be seen; unknown if peeled in one fell swoop or not)

DeadFish (scales on; head attached; accusatory cyclops-ish eye; absent corpse, nowhere to be seen; cf. The Laughorist blog post of 2 February 2019)

62.8 CCM Suspects (40 apartments, average of 1.5 residents in each minus 1.0 LaughoristDweller [a.k.a. OldWhiteGuy], plus 3.8 happenstance, random street-cred pedestrians) 

Ghosts of Bob Marley & The Wailers

Scene 1: 

Enter OldWhiteGuy, exits building, turns right, spots DismemberedClementine (rest in pieces, R.I.P.), halts, retreats, pivots left, inspects crime scene, counts segments, makes mental notes, turns right again, walks on ice- and snow-ridden sidewalk to car

OldWhiteGuy (posing as Hamlet Lear) (sotto voce): "The play's the thing wherein I'll catch the conscience of the skin!"

Enter Ghosts of Bob Marley & The Wailers singing: "One love, one heart... Let's get together and feel all right... Hear the children cryin'; give thanks and praise to the Lord ... Is there a place for the hopeless sinner who has hurt all mankind just to save his soul? One love, one heart ... Let's get together and feel all right!"

Exeunt Omnes

Words, and Then Some

Too many fled Spillways mouths Oceans swill May flies Swamped Too many words Enough   Said it all Spoke too much Tongue tied Talons claws sy...