Sunday, February 17, 2019

The Clementine Chronicles, continued


Murder on the Disorient Express

Dramatis Personae:

OldWhiteGuy stereotypical converted-loft dweller, goatee-adorned; spectacles-wearer; enough head hair to comb except on the sides owing to stylist's shorning the week preceding; 5'10"; 169 pounds; blue jeans; blue T-shirt; blue-green-purple flannel shirt not tucked in; fragrance: Luna Rossa by Prada; Euphoria by Calvin Klein deodorant; unshaven for several days

Three Ravens pecking at unseen morsels on the roadway or bickering on the chain-link fence or telephone wires

DismemberedClementine* Jackson Pollocked (except for color; goldenrod-clementine-flesh yellow-orange backgrounded by burnt umber wetted, ergo Mark Rothko'ed except for the scatteredness; picture a spherical descent bursting onto the concrete, tossed from an upper-story window; motive and perp, unknown) into 22 segments and/or fragments of said segments, on the sidewalk [see below] by the side exit of the brick former knitting mill; a splayed and still glistening ink-blottish stain artistically placed on the snow-bereft sidewalk as a place setting or as a result of the Capital Citrus Murder (CCM)
*cf. The Laughorist blog post of 2 December 2018

DismemberedClementine Peeled Skin (absent, nowhere to be seen; unknown if peeled in one fell swoop or not)

DeadFish (scales on; head attached; accusatory cyclops-ish eye; absent corpse, nowhere to be seen; cf. The Laughorist blog post of 2 February 2019)

62.8 CCM Suspects (40 apartments, average of 1.5 residents in each minus 1.0 LaughoristDweller [a.k.a. OldWhiteGuy], plus 3.8 happenstance, random street-cred pedestrians) 

Ghosts of Bob Marley & The Wailers

Scene 1: 

Enter OldWhiteGuy, exits building, turns right, spots DismemberedClementine (rest in pieces, R.I.P.), halts, retreats, pivots left, inspects crime scene, counts segments, makes mental notes, turns right again, walks on ice- and snow-ridden sidewalk to car

OldWhiteGuy (posing as Hamlet Lear) (sotto voce): "The play's the thing wherein I'll catch the conscience of the skin!"

Enter Ghosts of Bob Marley & The Wailers singing: "One love, one heart... Let's get together and feel all right... Hear the children cryin'; give thanks and praise to the Lord ... Is there a place for the hopeless sinner who has hurt all mankind just to save his soul? One love, one heart ... Let's get together and feel all right!"

Exeunt Omnes

2 comments:

Al D'Agostino said...

I like that you aren't a slave to punctuation. That could lead to ambiguity, but doesn't. A rich entry.

Pawlie Kokonuts said...

Thanks for stopping by, and for commenting.

Words, and Then Some

Too many fled Spillways mouths Oceans swill May flies Swamped Too many words Enough   Said it all Spoke too much Tongue tied Talons claws sy...