Sunday, February 17, 2019
The Clementine Chronicles, continued
Murder on the Disorient Express
Dramatis Personae:
OldWhiteGuy stereotypical converted-loft dweller, goatee-adorned; spectacles-wearer; enough head hair to comb except on the sides owing to stylist's shorning the week preceding; 5'10"; 169 pounds; blue jeans; blue T-shirt; blue-green-purple flannel shirt not tucked in; fragrance: Luna Rossa by Prada; Euphoria by Calvin Klein deodorant; unshaven for several days
Three Ravens pecking at unseen morsels on the roadway or bickering on the chain-link fence or telephone wires
DismemberedClementine* Jackson Pollocked (except for color; goldenrod-clementine-flesh yellow-orange backgrounded by burnt umber wetted, ergo Mark Rothko'ed except for the scatteredness; picture a spherical descent bursting onto the concrete, tossed from an upper-story window; motive and perp, unknown) into 22 segments and/or fragments of said segments, on the sidewalk [see below] by the side exit of the brick former knitting mill; a splayed and still glistening ink-blottish stain artistically placed on the snow-bereft sidewalk as a place setting or as a result of the Capital Citrus Murder (CCM)
*cf. The Laughorist blog post of 2 December 2018
DismemberedClementine Peeled Skin (absent, nowhere to be seen; unknown if peeled in one fell swoop or not)
DeadFish (scales on; head attached; accusatory cyclops-ish eye; absent corpse, nowhere to be seen; cf. The Laughorist blog post of 2 February 2019)
62.8 CCM Suspects (40 apartments, average of 1.5 residents in each minus 1.0 LaughoristDweller [a.k.a. OldWhiteGuy], plus 3.8 happenstance, random street-cred pedestrians)
Ghosts of Bob Marley & The Wailers
Scene 1:
Enter OldWhiteGuy, exits building, turns right, spots DismemberedClementine (rest in pieces, R.I.P.), halts, retreats, pivots left, inspects crime scene, counts segments, makes mental notes, turns right again, walks on ice- and snow-ridden sidewalk to car
OldWhiteGuy (posing as Hamlet Lear) (sotto voce): "The play's the thing wherein I'll catch the conscience of the skin!"
Enter Ghosts of Bob Marley & The Wailers singing: "One love, one heart... Let's get together and feel all right... Hear the children cryin'; give thanks and praise to the Lord ... Is there a place for the hopeless sinner who has hurt all mankind just to save his soul? One love, one heart ... Let's get together and feel all right!"
Exeunt Omnes
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2 comments:
I like that you aren't a slave to punctuation. That could lead to ambiguity, but doesn't. A rich entry.
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