Saturday, August 22, 2015
curvilinear urban legend beauty
You venture out to retrieve the black plastic empty trash can and the blue bin for recyclables, peering at your car and, as you typically do, surveying for slashed tires or a window broken and beaded from last night's anonymous mayhem. On the road surface (a road paved merely months ago), you spy an imprint of white paint that nearly outlines your car, a 2007 VW Rabbit, 111,000 miles, the way the police delineate chalk lines where a dead body formerly sprawled, in its last restless resting place. You look left and see where the paint seemingly originated, several houses south, on Avery Avenue, where a resident likely deposited it, improperly, in last night's trash. This "waste management" accident paints a brushstroke of curvilinear whimsy and beauty. (Curvilinear strikes this observer as an especially feminine word, owing to female curvature merged with sweeping linearity as opposed to male angularity and polarity.) The alabaster alphabet consisting of one long L with hints of an S at the end is punctuated with accidental or purposeful blockprints from someone's steps, or else owing to the fruits of a performance or avant-garde visual artist who has staged this elaborate design, which trails off into the intersection with Chemung Street, toward the final feet of the old West End of Syracuse. And later in the day, and in the remains of subsequent days, you see vestiges of more curvilinearity: the palimpsest of the dawn street sweepers, meandering against curbs and around parked cars, reciting a visual poetry of fading hieroglyphics.